This work is a series of interpretations that orients around my experience of the entrance hall to Damsgårds Hovedgård in Bergen. These interpretations are readings of the space. By making I try to understand an experienced architecture. Following, the reading of the space becomes productive as other forms and objects emerge from the study.
Examples of techniques used for the interpretations are; drawing, printing, embroidery and wood-carving. The materials used include paper, textiles, wood and plaster. The works can be read as a family where each representation more or less relates to the others. They are representations of the experienced space, however at the same time things within themselves.
